Acoustical measurements of sound fields between the stage and the orchestra pit inside an historical opera house
Identifieur interne : 002193 ( Main/Exploration ); précédent : 002192; suivant : 002194Acoustical measurements of sound fields between the stage and the orchestra pit inside an historical opera house
Auteurs : Shin-Ichi Sato [Italie, Japon] ; Nicola Prodi ; Hiroyuki SakaiSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2001-05-04.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
To clarify the relationship of the sound fields between the stage and the orchestra pit, we conducted acoustical measurements in a typical historical opera house, the Teatro Comunale of Ferrara, Italy. Orthogonal factors based on the theory of subjective preference and other related factors were analyzed. First, the sound fields for a singer on the stage in relation to the musicians in the pit were analyzed. And then, the sound fields for performers in the pit in relation to the singers on the stage were considered. Because physical factors vary depending on the location of the sound source, performers can move on the stage or in the pit to find the preferred sound field.
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Le document en format XML
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Dept., Univ. of Ferrara, via Saragat 1, 44100 Ferrara</wicri:regionArea><wicri:noRegion>44100 Ferrara</wicri:noRegion></affiliation><affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Kobe Univ., Rokkodai, Nada, Kobe 657-8501, Japan</s1></inist:fA14><country xml:lang="fr">Japon</country><wicri:regionArea>Kobe Univ., Rokkodai, Nada, Kobe 657-8501</wicri:regionArea><wicri:noRegion>Kobe 657-8501</wicri:noRegion></affiliation></author><author><name sortKey="Prodi, Nicola" sort="Prodi, Nicola" uniqKey="Prodi N" first="Nicola" last="Prodi">Nicola Prodi</name></author><author><name sortKey="Sakai, Hiroyuki" sort="Sakai, Hiroyuki" uniqKey="Sakai H" first="Hiroyuki" last="Sakai">Hiroyuki Sakai</name></author></titleStmt><publicationStmt><idno type="wicri:source">INIST</idno><idno type="inist">04-0182600</idno><date when="2001-05-04">2001-05-04</date><idno type="stanalyst">PASCAL 04-0182600 AIP</idno><idno type="RBID">Pascal:04-0182600</idno><idno type="wicri:Area/PascalFrancis/Corpus">000461</idno><idno type="wicri:Area/PascalFrancis/Curation">000161</idno><idno type="wicri:Area/PascalFrancis/Checkpoint">000564</idno><idno type="wicri:doubleKey">0001-4966:2001:Sato S:acoustical:measurements:of</idno><idno type="wicri:Area/Main/Merge">002274</idno><idno type="wicri:Area/Main/Curation">002193</idno><idno type="wicri:Area/Main/Exploration">002193</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Acoustical measurements of sound fields between the stage and the orchestra pit inside an historical opera house</title><author><name sortKey="Sato, Shin Ichi" sort="Sato, Shin Ichi" uniqKey="Sato S" first="Shin-Ichi" last="Sato">Shin-Ichi Sato</name><affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Eng. Dept., Univ. of Ferrara, via Saragat 1, 44100 Ferrara, Italy</s1></inist:fA14><country xml:lang="fr">Italie</country><wicri:regionArea>Eng. Dept., Univ. of Ferrara, via Saragat 1, 44100 Ferrara</wicri:regionArea><wicri:noRegion>44100 Ferrara</wicri:noRegion></affiliation><affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Kobe Univ., Rokkodai, Nada, Kobe 657-8501, Japan</s1></inist:fA14><country xml:lang="fr">Japon</country><wicri:regionArea>Kobe Univ., Rokkodai, Nada, Kobe 657-8501</wicri:regionArea><wicri:noRegion>Kobe 657-8501</wicri:noRegion></affiliation></author><author><name sortKey="Prodi, Nicola" sort="Prodi, Nicola" uniqKey="Prodi N" first="Nicola" last="Prodi">Nicola Prodi</name></author><author><name sortKey="Sakai, Hiroyuki" sort="Sakai, Hiroyuki" uniqKey="Sakai H" first="Hiroyuki" last="Sakai">Hiroyuki Sakai</name></author></analytic><series><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno><imprint><date when="2001-05-04">2001-05-04</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term><term>Theoretical study</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>4355B</term><term>Etude expérimentale</term><term>Etude théorique</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">To clarify the relationship of the sound fields between the stage and the orchestra pit, we conducted acoustical measurements in a typical historical opera house, the Teatro Comunale of Ferrara, Italy. Orthogonal factors based on the theory of subjective preference and other related factors were analyzed. First, the sound fields for a singer on the stage in relation to the musicians in the pit were analyzed. And then, the sound fields for performers in the pit in relation to the singers on the stage were considered. Because physical factors vary depending on the location of the sound source, performers can move on the stage or in the pit to find the preferred sound field.</div></front></TEI><affiliations><list><country><li>Italie</li><li>Japon</li></country></list><tree><noCountry><name sortKey="Prodi, Nicola" sort="Prodi, Nicola" uniqKey="Prodi N" first="Nicola" last="Prodi">Nicola Prodi</name><name sortKey="Sakai, Hiroyuki" sort="Sakai, Hiroyuki" uniqKey="Sakai H" first="Hiroyuki" last="Sakai">Hiroyuki Sakai</name></noCountry><country name="Italie"><noRegion><name sortKey="Sato, Shin Ichi" sort="Sato, Shin Ichi" uniqKey="Sato S" first="Shin-Ichi" last="Sato">Shin-Ichi Sato</name></noRegion></country><country name="Japon"><noRegion><name sortKey="Sato, Shin Ichi" sort="Sato, Shin Ichi" uniqKey="Sato S" first="Shin-Ichi" last="Sato">Shin-Ichi Sato</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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